[su_quote style=”modern-light”]All mankind is of one author, and is one volume; when one man dies, one chapter is not torn out of the book, but translated into a better language; and every chapter must be so translated. . . .—John Donne[/su_quote]
[su_quote style=”modern-light”]The Third Mind is a book by Beat Generation novelist William S. Burroughs and artist/poet/novelist Brion Gysin . … The Third Mind is a combination literary essay and writing collection showcasing a form of writing popularized by Burroughs and Gysin in the 1960s called “cut-ups “. Cut-ups involves taking (usually) unrelated texts, literally cutting the pages up, and then combining and rearranging (Ken, research this term because the extent and manner in which the pieces are rearranged is crucial) the pieces to form new narratives and often-surreal images. This form of writing can also be adapted for filmmaking, as demonstrated by Burroughs and director Antony Balch in their early 1960s short film, The Cut-Ups .[/su_quote]
The significance of “The Third Mind” is that it is a shared consciousness that can only be reached by two (or more) people together– they access a place that neither could reach alone. Person A and Person B can find new ideas in dialoguebecause they are improvisationally responding to each other’s unpredictable mind.Burroughs was trying to access this unpredictability by cutting and rearranging texts into nonsensical riddles. By weaving the nonsense into a linear narrative, he forced himself into dialogue with an unpredictable “other”. This practice builds on the classic Zen koan– a riddle designed to transcend the “rational” mind and lead a student to satori (enlightenment).
[su_youtube_advanced url=”https://youtu.be/JTcw4RymVy0″] [su_youtube_advanced url=”https://youtu.be/JcZZDZaI6zU”]
[su_quote style=”modern-light”]As a writer I inherit one set of assumptions about copying or borrowing, or what’s called plagiarism, but as a music fan, someone who adores sampling and quotation and allusion in the music I listen to, and as a fan of collage and appropriation in the visual arts, many of the artists I grew up liking in these different realms were instinctive plagiarists, by the standards that I often see applied within the literary arts.
The essential article in this regard is The Ecstasy of Influence.
[su_quote style=”modern-light”]What we think of as open source is is basically culture. It’s how human beings have organized themselves, communicated with each other, joined each other, forged identities, and most importantly, grooved and danced, for centuries. This is basically how people have always dealt with each other. It’s just in recent years we’ve imposed these interesting cages — legal cages, psychological cages, ethical cages — around this level of sharing.